Already well known for his works on Federico Fellini and Pedro Almodovar, Jean-Max Méjean focused this time on Emir Kusturica, through a “filmographic” approach. One after the other, the films are detailed, explained and analyzed, with a fluent and pleasant style. Jean-Max knows how to place accordingly comparisons with the other big masters of the cinema, some anecdotes, or interviews extracts which are spread throughtout his analyzes.

Richly illustrated with photograms and archives pictures, the book is a complete testimony of today's Kusturica's work.

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